Gustave Courbet
1819-1877
French
Gustave Courbet Locations
was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century.
Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs.
In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night. Related Paintings of Gustave Courbet :. | Still-life | Les Demoiselles de Village | Apples | The Glen at Ornans | Studio | Related Artists: Meckel, Adolf vonGerman, 1856-1893 Lorenzo LottoItalian
1480-1556
Lorenzo Lotto Galleries
In this last period of his life, Lorenzo Lotto would frequently move from town to town, searching for patrons and commissions. In 1532 he went to Treviso. Next he spent about seven years in the Marches (Ancona, Macerata en Jesi), returning to Venice in 1540. He moved again to Treviso in 1542 and back to Venice in 1545. Finally he went back to Ancona in 1549.
This was a productive period in his life, during which he painted several altarpieces and portraits :
Santa Lucia before the Judge, 1532, Jesi, Pinacoteca comunale
The Sleeping Child Jesus with the Madonna, St. Joseph and St. Catherine of Alexandria, 1533, Bergamo, Accademia Carrara
Portrait of a Lady as Lucretia, 1533, National Gallery, London.
Holy Family with SS Jerome, Anna and Joachim, 1534, Firenze, Uffizi
Holy Family, ca 1537, Paris, Louvre
Portrait of a Young Man, Firenze, Uffizi
Crucifixion, Monte San Giusto, Church of S Maria in Telusiano
Rosary Madonna, 1539, Cingoli, Church of San Nicolo
Portrait of a Man, 1541, Ottawa, National Gallery of Canada
Bust of a Bearded Man, 1541, ascribed, San Francisco, Fine Arts Museum
The Alms of Saint Anthony, 1542, Venezia, church SS Giovanni e Paolo
Madonna and four Saints, 1546, Venezia, Church of San Giacomo dell??Orio
Portrait of fra?? Gregorio Belo da Vicenza, 1548,New York, Metropolitan Museum
Assumption, 1550, Ancona, church San Francesco alle Scale
The Crossbowman, 1551, Rome, Pinacoteca Capitolina
Portrait of an Old man, ascribed, ca 1552, Saint Petersburg, Ermitage
Presentation in the Temple, 1555, Loreto, Palazzo Apostolico
A Venetian woman in the guise of Lucretia (1533).At the end of his life it was becoming increasingly difficult for him to earn a living. Furthermore, in 1550 one of his works had an unsuccessful auction in Ancona. As recorded in his personal account book, this deeply disillusioned him. As he had always been a deeply religious man, he entered in 1552 the Holy Sanctuary at Loreto, becoming a lay brother. During that time he decorated the basilica of S Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto. He died in 1556 and was buried, at his request, in a Dominican habit.
Giorgio Vasari included Lotto's biography in the third volume of his book Vite. Lorenzo Lotto himself left many letters and a detailed notebook (Libro di spese diverse, 1538-1556), giving a certain insight in his life and work. Among the many painters he influenced are likely Giovanni Busi Alonso Sanchez CoelloAlonso Sachez Coello (1531/32 -August 8, 1588) was a portrait painter of the Spanish Renaissance and one of the pioneers of the great tradition of Spanish portrait painting.
Alonso Sachez Coello was born in Benifairode les Valls, near Valencia, and spent his childhood there, until the death of his father when he was around ten years old. He was educated in Portugal at his grandfather's home. Coello's years in Portugal and his family name of Portuguese origin led to a long-standing belief that he was in fact Portuguese. His grandfather (after whom he was named) was in the service of King John III of Portugal who sent the young painter to study with Anthonis Mor (also known as Antonio Moro) in Flanders around 1550. He was under the service of Antoine de Granville, bishop of Arras, learning from Mor. While studying in Flanders, Coello also spent time copying some of Titian's works.
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